A natu­ral re­sult of know­ing the truth in the su­preme force-field of mu­sic – in the har­mony – is that the lis­tener makes the ex­peri­ence of the com­plete ful­fil­ment of de­sires.
Here, in the ab­so­lu­te mu­si­cal force-field be­yond space and time, we quite spon­ta­ne­ously make the natu­ral ex­peri­ence of all the ad­van­tages mu­sic may ever offer, and while we look back now, from this su­preme level of mu­si­cal knowl­edge, to the world of mu­sic which we once went through with heated dis­cus­sions be­tween feel­ing and un­der­stand­ing when we delved, start­ing from the mu­si­cal sound-space, into ever finer struc­tures of the mu­si­cal mean­ing, then the mu­si­cal world of the se­quences, the mo­tifs, and of the mu­si­cal sound-space, that had been so dear to us be­fore, is only a very lim­ited world to us.

Look­ing out into the space-time world, the mu­si­cal flow now ap­pears to us only as an inert world dragging by.
Even the se­quences appear inert to us – much more so the mo­tifs, not to speak about the tones which trundle along be­fore our men­tal eye like boulders, while the mo­tifs at least stumble, and the se­quences even try to achieve some har­mo­ni­ous flow.

So, in this our com­plete mu­si­cal ex­peri­ence in the ab­so­lu­te Now of the har­mony, the mu­si­cal bridg­ing of in­fi­nite spaces and times is not even the matter of a sin­gle moment, but it takes place in the in­fi­nitely con­densed span of true simultaneity.
And our lively ex­peri­ence bridges all con­ceiv­able spaces and times in the to­nal­ity of the eter­nal pre­sent moment.

This mu­si­cal ex­peri­ence of our in­fi­nite, dy­namic, unlim­ited, mani­fold, pure self-aware­ness, and the si­mul­ta­ne­ous ex­peri­ence of the languid flow of the outer world of mu­sic, un­der­standa­bly re­duce the value of all rela­tive mu­sic for us.
True and last­ing value we at­trib­ute only to the real mu­si­cal field of pure har­mony.

Thus, to the crea­tive mu­sic lis­tener, the outer mu­si­cal world is only a dull imitation of a very small de­tail of his ac­tual in­ner mu­si­cal wealth he ex­peri­ences in the realm of the har­mony, and now to him the outer mu­si­cal per­form­ance is of as lit­tle sig­nifi­cance as some seed of some plant in some granary is to the crea­tor of the world.

The crea­tive mu­sic lis­tener, there­fore, no longer wants to leave his per­fect world of the har­mony for that outer world of il­lu­sion. This is his natu­ral stand­point now.