This does not mean that the di­verg­ing of feel­ing and un­der­stand­ing is no longer pur­sued with the great­est ear­nestness by these two forces of cog­ni­tion. It only means that now, through the ef­fect of the ab­so­lu­te sound-sub­stance, a per­fect force-field has been cre­ated on the level of the har­mony, in which feel­ing and un­der­stand­ing di­verge, while at the same time they also con­verge.

This is also why, in the field of the har­mony, one can no longer de­ter­mine in de­tail whether feel­ing and un­der­stand­ing now di­verge or con­verge. The feel­ing ob­vi­ously con­tin­ues to strive to­wards unity alone – in fact, with all the unlim­ited en­ergy of the pure self-aware­ness avail­able to it – and the un­der­stand­ing con­tin­ues, as be­fore, to strive to­wards di­ver­sity, en­dowed with the in­ex­hausti­ble po­ten­tial of in­tel­li­gence of the pure self-aware­ness.

By vir­tue of the fact, that in the field of the har­mony the ab­so­lu­te sound-sub­stance was enli­vened in its vi­bra­tion, a force-field of a com­pletely new di­men­sion is cre­ated – a lively di­men­sion of ab­so­lu­te mu­sic be­yond space and time.
And in this new world the mu­si­cal re­al­ity looks like this:

mu­si­cal growth is at the same time also a proc­ess of sus­tain­ing and dis­solv­ing – while on the other hand, in terms of mu­sic, noth­ing what­so­ever hap­pens – and:
this en­tire, silent, uni­ver­sal hap­pen­ing might be de­scribed by the term “the play of the stand­ing, the rest­ing, the flow­ing in­fi­nite har­mony.”